To inheritance after Miyazaki, whose "Wind rises" to be the last of his career, will include the Mamoru Hosoda. His extraordinary - as far as Europe - the story about the mother of a boy and a girl occasionally morphing into wolves coincidentally was awarded the Nobel Prize of Japanese animation in 2012. With continental understanding of the myth of man-wolf Hosoda takes only a metaphor for puberty. Ame and Yuki must determine their own identity in the Japanese countryside painted outdoors monetowską line with most of the well-known Studio Ghibli production. The myth of Likaonie is alien to them, no one tested here omniscience of the gods, killing random guests. But Hosoda Europeans are backed by some unknown tradition, in which peasants sacrifice to the wolves guarding their crops from deer and wild boar. In this symbolism, the successor draws Miyazaki sensitivity of these characters, creating a familiar of all, a universal form of a single mother: busy, busy, caring and trembling for the fate of their little ones. And it does so with skill, which is the creator of "Twilight" could only dream of.